7 Best Movies to Stream on Paramount+ in February

A fresh month brings an exciting batch of new streaming options for Paramount+ drop -subscribers. The service adds a wide range of modern and classic films to its platform in February and more than enough to make sure you don’t have to go far for something to look at. Whether you are in the mood for a gloomy crime drama, a windy sci-fi thriller, an entertaining rum com or even a good old-fashioned tearer, paramount+ you have covered.

“Attack The Block” (2011)

An explosion of smooth, stylish sci-fi-action, author-instructor Joe Cornish’s “Attack The Block” follows the members of a teenage-street gang-led by the unlimited moses (then-new joins John Boyega)-When they are forced to To defend the South London Public Housing Block they call home from a sudden stranger invasion. With a number of inventive practical gags and visual effects, the film runs breathlessly through its sci-fi story and condenses a whole foreign invasion to only 88 lean minutes.

The result is a crowd-pleasant thriller that is not afraid of being brutal when it should be, but also knows how to build to surprisingly awaken moments. Along the way, “Attack The Block” fills the underlying foundation of its history with socially conscious themes of class and race that only make it seem like even more a miraculous, low-budget-gene gem.

“Road to Perdition” (2002)

“Road to Perdition”, director Sam Mendes’ follow -up to 1999’s “American Beauty” couldn’t be more different from the best photo -winning movie. Starring in Tom Hanks in one of his most reserved and against roles of the type follows the film a mob Enforcer of the 1930s (Hanks), forced to flee from his home with his young son (Tyler Hoechlin), after That they have become the target of his boss’ erratic, unhinged son (Daniel Craig).

A tragic, soulful study of inheritance, “road to perdition” marches at a measured pace toward its inevitably bloody conclusion-what enables the relationship between Hanks and Hoechlin’s father-and-son characters to develop and elaborate even when their circumstances becomes more and more gloomy. With a stirred, sad performance from late career from Paul Newman, as the older gangster Hanks ‘Hitman is forced to turn towards, “Road to Perdition” has some of the most measured and thoughtful filming of Mendes’ career and it ranks As one of the best and more underrated crime dramas from the 2000s.

“When Harry met Sally…” (1989)

Movies simply don’t get more iconic than “When Harry met Sally …” The genre-defining Rome-Com from director Rob Reiner and author Nora Ephron has become one of the most quoted and referenced films in the last 50 years. However, its ubiquitous presence in pop culture has not robbed “When Harry met Sally …” of its vibration or magic. Part of that is due to the sharp width of Ephron’s manuscript and the lack of Fussiness in the direction of Reiner, but credit must also be given to Meg Ryan and Billy Crystal’s double lead performance.

Ryan is luminous and lovable as the named Sally, while Crystal finds the right balance between charming and arrogant as her friend and any partner. On top of all this, the movie is packed to the brim with enough sharp jokes and moments of applause-worthy romance that it is no wonder why it is still considered the gold standard for modern Hollywood-Rom coms. It is the rare, endless imitation classic that continues to give no matter how many times you see it.

“MENACE II SOCIETY” (1993)

Albert and Allen Hughes’ instructor debut, “Menace II Society”, were considered a cooling achievement when it was released back in 1993. Over 30 years later, the unsentimental look at Black Youth coming into an age in an environment where violence and Crime feels like the only options available for them do not seem as offers as it used to do. However, the power of the film has not diminished for decades. It is still a striking and heartbreaking piece of work.

Centered of a few black male teens who feel compelled to abide by the ruthless law of the country, the “Menace II community” never tells you what to think or feel. It presents its story as honestly as it can. In doing so, it immerses viewers in the lives of its characters and reveals through your growing connection to its deficient heroes, how much life and potential is lost when people make it feel like their only path is one of self -rental. It is a powerful drama that somehow still feels as important as ever.

“Roman Holiday” (1953)

Directed by William Wyler and co-written by a then Black Dalton Trumbo, “Roman Holiday” is one of the fizziest and most charming Hollywood-Rom-Coms you will probably ever see. A romance of a princess who is desperate after actually enjoying her trip to Rome and a reporter angles for a kind of exclusive about her, finds the movie Rome-Com success in her central pairing of Gregory Peck and Audrey Hepburn. The latter not only experienced breakout fame because of the film, but also went home in 1954 best actress Oscar for her performance in it.

When you see it you won’t be back and wonder why. Hepburn is pure charm in a movie that is crowded with it. Over 70 years after the release, “Roman Holiday” stands as a sterling example of exactly what a Hollywood romantic comedy can be on its very best. It will make you smile from ear to ear from the moment it begins all the way to the moment it ends.

“Conditions of Love” (1983)

“Conditions of Love” may not offer as optimistic of an experience such as “Roman holiday”, but that doesn’t mean it’s less affecting. The movie is actually one of the most beloved of all Hollywood drivers and for good reason. Written and directed by James L. Brooks, the best image-winning drama of a helicopter mother (an Oscar-winning Shirley Maclaine) and her independent daughter (Debra Winger) are designed with the same slightly comical, humanistic touch that defined much of Brooks’ work Throughout the 70s, 80s and 90s.

Jack Nicholson won his second Oscar for his charismatic performance as a man who beats a whirlwind -romance with Maclaine’s Aurora, but it is the relationship between its central mother and daughter that will stick to you long after you finish “Terms for love. ” It is a moving family portrait – one that serves every tear it inevitably wings out of you.

“The Hunt for Red October” (1990)

How do you follow an action movie as masterful and instantly loved as “Die Hard”? If you are John Mctiernan, you deliver another tremendously visible classic. Of course, that’s exactly what the instructor did when he jumped off “Die Hard” to “The Hunt for Red October” is not trying to start World War II by sailing toward America in a submarine equipped with a dangerous new missile, but instead hope to defect.

A tense, intelligent thriller, “The Hunt for Red October,”, effortlessly jumps between state meetings and full scenes in claustrophobic submarines – which makes every moment feel as important and urgent as anyone else. It is a fascinating and impressive counts to “die hard”, one that deals with the film’s many bullets and explosions for unseen threats, life-and-death conversations and dangerous, heart-stopping deception.