Janelle Monáe behind the scenes Grammys 2025 Look

On Sunday’s 2025 Grammys at Crypto.com Arena, Janelle Monáe sells her signature black and white palette and avant-garde themes in favor of an ensemble that is equal parts of stylish, androgynous and toned down compared to previous red red appearances.

This latter decision is undeniably a NIKK to the LA Society as it returns from the devastating effect of wild fires throughout Los Angeles County. “We pulled things that were more avant -garde, a little more crazy and out there, but it doesn’t feel like the mindset right now,” says Alexandra Mandelkorn, who has been working with Monáe since 2017, says The Hollywood reporter. “Janelle and I are always on the same page about things and we have talked about this moment and how we feel about it. To make things extra big or over the top doesn’t feel right. ”

Instead, Monáe channels a favorite theme, androgyny, in a menswear-inspired suit of area, the New York-based label co-designed by Beckett Fogg and Piotrek Panszczyk. From the brand’s autumn/winter 2024 collection, Navy Suit has subtle gold details and is excessive with an extended shoulder, although the appearance still feels relatable, says almond grain. “We had a few different options we considered, all gave this atmosphere of cool and powerful, effortless and comfortable, but the moment Janelle tried this, it felt perfect,” she explains. “She loved her shoulders and the big element of it, so it’s not quite out of her wheelhouse.”

A military -inspired Captain’s hat is the appearance of accessories. “It gives a bit of Janet (Jackson), a little bit of grace Jones, and that’s what really sold Janelle on it,” says almond grain. “She always loves a look with a coordinated accessory, like a hat or gloves.”

Monáe finished the appearance of chain necklaces and other pieces of Dubai-based Maison H-Jewels, a tag Heuer Carrera chronograph watch customized with a blue leather strap, and platform shoes by Ralph Lauren, as almond grains say was a light yes. “Jewelry is always a decision at the last minute because it’s about what Janelle is feeling at the moment, but these Ralph Lauren platforms are kind of her go-to. She loves these shoes, ”she adds.

If it sounds like Monáe and Mandel Korn enjoy their relationship, the stylist says it’s also a light yes. “There is just a language that we both speak, and when you find a client who speaks your language, it makes the job so much more trouble -free,” she notes. “She can say something, and I can immediately visualize and understand what she wants.”

It was also true for the second ensemble Monáe Bar on Sunday’s Grammys. Monáe joined Stevie Wonder, Cynthia Erivo, Herbie Hancock and others on stage for a previously announced tribute to Quincy Jones, who died in November. For her performance, Monáe had a tuxedo that was a mix of elements from several different brands, says almond grain. Monáe appeared Michael Jackson’s “Don’t Stop ‘until you get enough” From the wallThe 1979 album produced by Jones, who propelled Jackson to Solo Superstardom and ultimately the “King of Pop” status.

“Janelle’s Tux is a tribute to both Quincy Jones and Michael Jackson and you will see the influence of what Michael had on” not stop “until you get enough,” confirms almond grain. “It’s an accident of brands to get the exact silhouette we wanted. But Janelle has also made it his own: Alex crystalized the front of the TUX shirt and added details to the socks. And it is not a full Bedazzled Michael jacket; There is a certain spark, just the right amount. “A surprise at the end of Monáe’s performance also happened when she tore up with her shirt to reveal a cutoff tank embrazoned with” I (heart) QJ. ”

With that look, Monáe also wore black loafers decorated with red hearts of GH Bass, a few often included in her tour costumes. “They are loved and well worn and amazing,” says almond grain. “These bass loafers are a special version that is no longer made, so she is really attached to them. Janelle finds them extremely comfortable and when you are comfortable on stage it comes through in your performance. ”

The most important thing is that the team is convinced that they have hit the right tones for a Grammys evening as opposed to others. “It feels good to be back in action, but I’m also really excited to see how society comes together (Sunday night),” says almond grain. “In the end, this was about Janelle feeling good in what she’s wearing, but doesn’t feel like all eyes will be on her because what she’s wearing is out there. This does not feel like the moment for it. “

This story was first published on February 2nd at 1 p.m. 17.15