New for Streaming: Sundance 2025, Sing Sing, Babygirl, that of twenty 2: Pantera & More

Each week we highlight the remarkable titles that have recently hit streaming platforms in the United States. Check out this week’s choice below and earlier round-ups here.

2025 Sundance Film Festival

While the Sundance Film Festival started last week in Park City, they can now experience the festival from home from home through this Sunday with online offers. From this release there are still online tickets available for some of my favorites at the festival including BLKNWS: Terms and conditions, the perfect neighbor, two women, Zodiac Killer Project, OBEX, MR. NOBODY AGAINST PUTIN, CUTTING THROUGH ROCKS, 2000 METS TO ANDRIIVKAand Predators. Check out all our coverage here and we will share much more in the coming days.

Where to stream: Sundance.org (through Sunday)

Babygirl (Halina Reijn)

Premiere with a lot of heart at the Venice Film Festival, Halina Reijn’s Bodies bodies bodies Follow -up Babygirl Finds that Nicole Kidman plays a high-powered CEO who puts her career and family on the line as she begins a Torrid Affair with her much-young trainee (Harris Dickinson) and who served her best actress at the festival. Savina Petkova said in her review, “It’s not too early in the festival to say that Reijn wrote and instructed one of- if not the– – The compelling films from this year’s Venice Selection and deserve full praise for landing a project of this caliber while doing a third feature that is as close to perfection as it can be. Babygirl is billed as an erotic thriller and does not waste any precious time until he says it; The whole opening scene sees Romy (Kidman) climax, her face held in a close close -up until she collapses on her husband Jacob (Antonio Banderas). “

Where to stream: VOD

Charli XCX: Alone together (Bradley & Pablo)

It is a scabop musician Charli XCX did not quarantine with anyone with formal film training during the pandemic. Alone togetherHer debut feature as a co-cinematographer, resists to document a creative process she already had chronic live on Instagram: to write, produce and record her new album How I am now With a self-impaired six-week deadline as we didn’t know exactly how long Covid would last. Cobbled together by music video instructors Bradley & Pablo, who has the task of introducing order on previous shots recordings taken from Zoomer, Live Feeds and Charli’s primitive “Charli Cam” (a DV camera she carries around the house like Ethan Hawkes village), Alone together is the ultimate fan service for her most devoted core, known as the angels. As may be obvious, this is a movie that is probably not for relaxed fans. – – John F. (full review)

Where to stream: Mubi (FREE for 30 days?

The count of Monte Cristo (Alexandre de la Patellière and Matthieu Delaporte)

While seeing the latest intake of Alexandre Dumas ‘literary classic, this time by instructors Alexandre de la Patellière and Matthieu Delaporte (who just adapted Dumas’ The three muskets In 2023) I wondered if I enjoyed the wrong reasons. With a high budget (making it the most expensive French film from 2024), a star mast and all the greatness of a fully blown cinematic epic, The count of Monte Cristo is large, blockbuster film creation of the French species. And while these big productions typically get life taken from those of the selection of Hollywood, this film’s stone -facing commitment to performing such a silly sight of an uneven, mostly good time. – – CJP (full review)

Where to stream: VOD

That of twenty 2: Pantera (Christian Gudegast)

Ah, what relief after the end of the year Brutalist and Nosferatu Having some good lots of January in our movie events again. Seven years in creation, That of twenty 2: Pantera Finally, brings us back to a tired, hard-drinking cop Big Nick (Gerard Butler) and Aspirant Master-Thief Donnie (O’Shea Jackson Jr.). A movie that even its biggest fans gave the backhanded compliment of “Douchebag Heat“The original Twenty’s it Strangely held-if partly because of a mix of ambitions and slaze, almost like the grizzled anti-hero in the middle. – – Ethan V. (full review)

Where to stream: VOD

Here (Robert Zemeckis)

Far and away the most unfairly vicious film of the year, Robert Zemeckis’ Here Finds the instructor in this modern era at the top of his technological fascinations and storytelling. By conveying millions of years (but primarily a stretch of a hundred or so) through a single fixed camera angle, the adaptation of Richard McGuire’s astonishing graphic novel takes a bitterly look at both the moving and worldly everyday life. Breathtaking how the different time jumps will cause reflection in one’s own ambitions and failures, here is a movie that I imagine will not only be more resonance when time goes on but will speak bigger to one, the more time they have had on this earth.

Where to stream: Netflix

Human (Caitlin Cronenberg)

To paraphrase the former staff chief of the White House Tom Card, whispering in the ear of George W. Bush: Another Cronenberg offspring has made a movie. While her older brother Brandon Cronenberg has more openly tried to repeat the visceral, satirical body tube of their father’s earliest work and offer some nice ugly tension with them like Antiviral and Infinity Pool-Self as he remained comfortable within his father’s shadow-Caitlin Cronenberg could not be accused of simply complying with the expectations that come with her family’s brand name recognition. The biggest surprise with her instructor debut Human It can be how comfortable this could sit with Blumhouse and Screenshan Beads Shlock on your local Multiplex: A well-developed, single-location thriller that prioritizes bloody, intestinal distortion and turns over the more thought-provoking introspection that typically accompanies this in a cronenberg attempt. – – Alistair R. (full review)

Where to stream: Hulu

The plains (David Easteal)

This year’s most astonishing exercise in world structure did not take place on a remote planet, but in the framework of a Hyundai Elantra. For over three hours, David Esteal invites us to intercept as two employees share a trip home. Well, more. A montage of car trips (eleven total) recorded over a year, the camera located in the back seat, so all we see of the two is an oblique reflection in the rear view mirror, The plains is a soul-replenishing road trip that transforms us from spectators into passengers. A richly textured portrait of a life, epic in size and probing in scope. – – Leonardo G.

Where to stream: Ovid.tv

Saturday night (Jason Reitman)

Studio 60 has become a slight joke but sees Saturday night, Hagiographic Origin History (or Air-like IP-Biopian Post) About the first night of the comedy institution on the air, I found myself longing for the manic, undeserved liberal shrine in the Sorkin show. Takeaway from Jason Reitman’s new movie is to quote Peter Griffin, “Oh my God, who the hell is that?” – – Ethan V. (full review)

Where to stream: Netflix

Sing Sing (Greg Kwedar)

“We are here to become people again. “This is the mantra of rehabilitation through the art program founded in Sing Sing Correctional Facility, a prison just north of New York City and the subject Greg Kwedar’s emotionally restorative new feature. While being led by a Stellar Colman Domingo with an equally great supporting turn from Paul Raci, the majority of Sing Sing‘s role crew knows the program all too well, either as alumni or currently undergoing it. This authenticity of casting carries through each frame and every line, as if Kwedar has walked these halls and been in these spaces, an observer for the intimate conversations he is written with Clint Bentley. – – Jordan R. (full review)

Where to stream: VOD

A visit from the room (Zlatko Grgić)

Le Petit Cinéma Club – with films aged 2 and above – continues with a rare animated gem from a famous Croatian animator. A visit from the room Following a young girl who becomes friend with a little stranger stranded on the ground. Together Prance around lush hills and eating absurd amounts of apples before saying goodbye to each other and reuniting with their respective Mamas. Throughout, director Zlatko Grgić (winner of the short film Palme d’Or in 1968) shows a quirky approach to style and tale that fits his subject: the childish and second world.

Where to stream: Le Cinéma Club

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